More to Say

You know when you feel something deeply but you can't quite put it into words right away? That's how I felt last Thursday as news about Gwen Marston's passing was trickling out. It was serendipitous then, that the Michigan issue of Quiltfolk arrived the same day. I'd ordered it a short time before, as I knew Gwen was ill, and I really wanted to read the article about her, and it in some small way provided comfort. [If you haven't had a chance to read it for yourself, Quiltfolk generously offered the feature for all to read here.]

I sadly never was able to take a class from Gwen, but treasure the time I heard her lecture and share many of her quilts. I was able to experience her wisdom and her humor. I met her after, and expressed my gratitude for her sharing herself and her work so generously. It was a small moment in time, but I am thankful for it.

But then after my Bee Sewcial Homage quilt was complete earlier this year, I was able to share it with Gwen via email and she was obviously pleased. She'd actually heard about it from others, and was happy to hear the quilt's story from me directly. She said, "This quilt speaks very clearly of adventure and not only your adventure but everyone who participated in it." That reference to adventure was meaningful, as I had heard Gwen herself say that her 'sketches' were a way to risk an adventure, and that was exactly what I'd wanted my bee mates to do in making their blocks for me. And that's precisely what I did in puzzling them together into a whole.

I was so glad to have brightened Gwen's day (her words) by sharing the quilt that she herself had inspired. Our short correspondence added another layer of meaning to this quilt. And it encourages me still to continue having fun and trying things, to keep risking adventure, and to take heart in Gwen's final words to me, "Keep up the good work."

The Homage Quilt

It was June 1 of last year when I last had a turn to declare the prompt for the Bee Sewcial improv bee. Over our time together, we had been inspired by such a wide variety of prompts, but never by a person. And it came to me that a quilt inspired by Gwen Marston's liberated patchwork would be a glorious thing indeed.

(photo of Gwen by Kathy French courtesy of John French)

I met Gwen just one time, having the pleasure of hearing her lecture late in her career. Let's just say she made a big impact, and seeing her quilts that night, as well as those in many of her books that I've collected since, has influenced my improvisational work a great deal. 

The night I heard her speak, Gwen said, "Just have a good time and try stuff," and that's exactly what I asked my #beesewcial mates to do for this quilt. Inspired by Gwen's techniques and style, I asked for one block each, a 'sketch' as Gwen would call it, in white and redS. And oh, they did not disappoint. Below, where I've listed the makers, I've linked back to their block, so you can see more clearly the actual block definitions and the creator's own words about them.

Top row: Silvia, Kari, Felicity

Middle row: Anne, Marci, M-R

Bottom row: Karen, Leanne, Stephanie

For me at least, this kind of quilt, with its blocks of various shapes and sizes, takes a while to arrange in a layout I'm pleased with. And odd as it may seem at first glance, below was my final layout. Yes, there was plenty of space to fill in, and to do that I both made sections from scratch as well as used little bits and trimmings my mates had sent along and added to them. When they call this kind of quilt top creation 'puzzling,' they aren't joking.

Then along about October, I finally had a finished quilt top measuring 56"x60" and I was smitten.

As much as I wanted the quilting on this one to be 'perfect,' I also really wanted to tackle it myself. So the next several weeks I quilted away, hoping to have it done to enter into QuiltCon. But I had decided to quilt very improvisationally - figuring out each section as I went - and considering I was using my walking foot, there was much turning and struggling, and let's just say it wasn't a fast process. So I convinced myself to be good with that, took December off to do other sewing, then got back to it this month. Reunited, I was momentarily overwhelmed to get started again, but I focused on thinking about Gwen, focusing on her quilts and those reds(!), enjoying the shapes my beemates had created for me, and just kind of soaked it all in. Several times it crossed my mind that Gwen hand-quilted so many of her quilts, which takes time, so in my own way, I was taking that time to savor the process too.

For thread, I used three Aurifil 50wts - #2021[Natural White], #2250[Red], and #1103[Burgundy], using the white in the larger white areas, and randomly switching between the reds in the red areas. With all the various reds used in the piecing, it was nice to have a couple of different red threads too. Occasionally one of the threads was used on the opposite color - whenever the block design or size deemed it logical - and as you can see, the white threads show clearly on the Kona Rich Red wideback. There are grids, curvy and straight-lines, matchstick quilting, square spirals, Xs, triangles and spikes. For better or worse, I'm declaring it perfectly imperfect. That said, I had trouble capturing the quilting well in my photoshoot photos, but I'll try again. (See here for some in-progress shots.)

For now, wrapped up in a faced binding, this little quilting journey comes to a close. Inspiration upon inspiration shared with my Bee Sewcial friends, I couldn't have enjoyed it more. Times of challenge for sure, but more than that, I was captivated by the whole process. Inspired by the work and playful spirit of Gwen Marston, I feel we've connected in a way larger than that one brief meeting.

Gwen has said that her 'sketches' were a way to risk an adventure, and I'm thankful my bee-mates were willing to go on this adventure with me. Thank you Leanne, Marci, Karen, M-R, Silvia, Stephanie, Felicity, Kari, and Anne for all the ways you inspire and for sharing my vision for this quilt. And of course.... thank you Gwen.

See more at #beesewcialhomagequilt and #inspiredbybeesewcial.

Homage

It's my turn to host the Bee Sewcial improv bee this month and I'm kinda excited about the prompt I've settled on. Over the last three plus years, we've been inspired by a shape, by minimalism with meaning, by a season, and even by a food item. And so much more. But as far as I can remember, we have yet to focus on a person. Well that changes now.

photo by Kathy French, courtesy of John French

Enter (I wish!) Gwen Marston. Retired now from teaching, I sadly never had the opportunity to take a class with her, but she's influenced my work a great deal. I 'met' Gwen late in her career - too late to do much other than enjoy a lecture and start collecting her books. And of course be inspired by her and her work.



So I'm asking my bee-mates to create a "sketch" focusing on Gwen's techniques and designs. Gwen is known for her "painterly" use of solids in bold colors and combinations. Rather I'd like us to focus more on shape and composition while minimizing the color. Basically, think red and white. But by red, I mean redS - a variety of them such as the Konas shown below. No orangey-reds or pink.



If you're familiar with Gwen's liberated patchwork style, you'll know exactly the aesthetic I'm after. If inspiration is needed, consider listening to this Crafty Planner podcast, peruse this pin board, or devour a few of Gwen's books: A Common Thread: A Collection of Quilts by Gwen Marston, Minimal Quiltmaking, or if you're lucky enough to have nabbed a copy before the price became exorbitant, 37 Sketches. Make one block, either minimalist or maximalist, but pieced blocks only please.



To those of you who aren't in Bee Sewcial, feel free to explore with us using the hashtag #inspiredbybeesewcial, or if nothing else, listen to the aforementioned podcast and get to know Gwen just a bit. Chance is, you'll be as inspired by her as I have been.

Abstract Solids

It was a fortuitous discovery. When I heard Gwen Marston was going to be the keynote speaker at QuiltCon 2016, I was more disappointed than ever that I wasn't able to be there. So I was perusing her website, happened to glance at the "Gwen's Schedule" link, and wouldn't you know, she was going to be coming very near to where I live! And soon. Quilters Anonymous was bringing her to town for classes (which I couldn't attent since I wasn't a guild member) and a lecture, which was open to the public. Oh joy.

Here's the blurb about the lecture:

Abstract Quilts in Solids 
Quilts made in solids have an impressive history. They were the first quilts to be taken seriously as art. In 1971, Amish quilts from the collection of Jonathan Holstein and Gail van der Hoof constituted the first major museum exhibition of quilts shown at the Whitney Museum of American Art in New York. Using her new abstract quilts as examples, Gwen discusses her work in solids and points out some of the great characteristics inherent in solids. The lecture is illustrated with quilts from her book Ideas and Inspirations: Abstract Quilts in Solids.

I couldn't resist slapping on a visitor's badge in order to be able to see Gwen's work and hear her speak. Totally worth it.

I didn't expect Gwen to be so darn funny! Just delightful. And of course her quilts - full of inspiration . . . and most if not all, hand-quilted.

According to Gwen, some of the key characteristics of solids:

• They are more paintery
• They never look dated
• Artistically....the line between them is very clear
• They have an impressive history, being the first quilts to be considered as art
• The quilting shows up like gangbusters

Other bits of wisdom:

• Embrace the pucker (in talking about quilting)
• If you get tired of doing something, go so far and quit...
• Keep it simple while trying to create interest
• Just have a good time and try stuff

I'm sharing some of the best photos I caught by phone camera, but get a better look at some of the quilts Gwen shared in Abstract Solids on Pinterest. I know I'll be perusing them for a while . . .