Keen

There was no doubt, from the very start, that I wanted to participate in the 2024 Pantone Quilt Challenge, again hosted by Sarah @bysarahruiz and Elizabeth @elizabethkray. But I didn't really act like it, and I think real life events just played into my slowness in getting on board.

Early on, I had a bit of inspiration about a relatively simple design involving improv stripes, and once I had my Pantone swatch card in hand, I worked on an initial fabric pull - Konas Black, White, Ruby, Orchid Ice, Raisin, Terracotta, and RJR Apricot Ice, plus as I began piecing, what I think was Kona Cedar. This time around, the Pantone Peach Fuzz color is more of a team-player than the key focus, but it's what felt fun to play with this time around.

Let's just say making all the stripes took a while, there was some travel away from my sewing room, and a little lethargy once I got back. But eventually I had a quilt top, and primarily using the leftovers, I fashioned a scrappy quilt back as well.

As I began to consider a quilting plan and what thread(s) to use, I decided this wasn't a quilt where I wanted to do an overall design with one thread color. That's always good news and bad news for me. It adds a bit of stress to the project, but then again, it's fun to use a variety of threads. And in the end, I used seven - Aurifil 50wt 2420 [Light Blush], 2692 [Black], 1103 [Burgundy], 2520 [Violet], 2350 [Copper]; 40wt 6722 [Sea Biscuit]; and since it was the only thread I had that coordinated well, a spool of Aurifloss 6729 [Tangerine Dream], with which I did some hand-quilting in the peach-colored sections of the quilt.

The machine-quilting in the majority of the quilt was improv lines, back and forth, back and forth. Though time-consuming, it was what I felt I could do that would fit the design, and using all those colors added to the enjoyment of it.

Finished at 33.5" x 41.5" and bound with matched binding, I was going to name this one "Peachy Keen," but considering 'keen' is a synonym for 'peachy,' I'll just go with the one word. 

Now I guess I better head over and submit Keen for the challenge before it closes. 

At the Table

This post is late, and self-serving, and I apologize for that. Begun shortly after this menu was served on June 25 of last year(!), I'd drafted it, but never completed or posted it. But it marked a key moment in my husband, Joe's life, when he said goodbye to serving in youth ministry with our church community. Celebrating nearly 40 years of volunteering, we hosted a delightful evening in our home with the current co-leaders; and at the time, I made note of the menu, fully intending to post it. There's no good excuse why I waited until now; but I want to remember, so here we go. Oh, and I also want to remember that our son and daughter-in-law, who were living with us at the time, helped with prep, cooking, and serving, which was great fun, doing it all together. So without further ado, for the sake of memories....

appetizers

Pesto Torte 

Marinated Goat Cheese Spread from Olive & Mango with Crackers

Palmiers with Mustard and Prosciutto 

Joe's Moscow Mules

main course

Grilled Pork Loin

Grilled Salmon

Sharon's Baked Beans

Grilled Vegetables with The Best Grilled Vegetables Marinade

Baked Gruyère Tomato Bruschetta from Half Baked Harvest

dessert

Alison Roman's Raspberry-Ricotta Cake

So thanks for letting me share. I trust you'll forgive me. I'm working on quilting my Pantone challenge quilt, so rest assured, I'll be back with quilty content soon!

The Last of the Mini Series Drawstring Bags

Back in 2022 when I joined the Mini Series Sew Along, I had in mind to use the 4,5" unfinished blocks as focals for a collection of small drawstring gift bags, and I've finally made it happen. 16 in all - 15 sew along blocks + my first chevron block that was the wrong size. What a variety, right?

For the majority of the bags, I made use of stashed prints, though a few were made of solids - one each of Essex cotton-linen blend, textured cotton, and AG Kaleidoscope. It was my original intent to use Essex natural and quilt the exterior, like the first bag shown below; but when I realized I was low on that fabric, I figured why not use up some other stash?

The finished bags range from 6.5" wide x 8" tall to 8" x 10", all depending on the amount of a particular fabric I had.

The drawstring ties are a mix of 1/2" natural twill tape, which I purchased from Jeni Baker Patterns; 1/2" white twill tape purchased from Beyond Trim on etsy; and 2mm black waxed cord from Amazon. I always keep these options on hand for projects such as this.

It feels great to have that project finely completed, and a couple of the bags have already been gifted.... just as I'd hoped. I'm happy to have a stock of them, and I look forward to sharing more of them in the months ahead.

Plus Quilt Along

It's been a while since I've made a Plus quilt, but when I did, I had a nice stack of 5" squares left over, knowing some day, I'd make another. So when I saw Jeni @jenib320 announce an upcoming Plus Quilt Along, I figured why not.

Most, if not all, of the prints are original Cotton + Steel. I'm planning on making the baby size to stash for gifting or donating. Since my squares are 5", a size not included in Jeni's pattern, mine will be slightly larger than her baby-size. Being small, I figure I can squeeze it in among other projects I might want to do. The quilt along is pretty leisurely, but hopefully I'll be back with a finished quilt in a few weeks!

The White Stole

During the final days of March and early days of April, I was working on a secret project - another liturgical stole. The occasion for the gift was to be our son's ordination, which occurred on Saturday! Thankfully, we were able to attend, as it took place at his new congregation in another state. You can be sure we were celebrating!

As for the stole, this white one will be used during the several weeks following Easter, as well as other short seasons throughout the church year. Again, I'm used a pattern by Paula Behrens. The base is Essex white, interfaced with Pellon 987F Fusible Fleece; and the lining is Kona white. Even though the 987F fleece worked well for the first stole I made a few months ago, with the white Essex, is seemed to look wrinkled. It took some serious pressing and spray starch to make it presentable.

The stole design was inspired by the Iona Stole from Jeff Wunrow Designs. The main feature is the 1.5" trim, and because I really needed to see some fabric for that in person before purchase, I went to Joann and found some options perfect for what I needed:

• Silver on White Quilt Glitter Cotton Fabric by Keepsake Calico
• Gold Shimmer Quilt Foil Cotton Fabric by Keepsake Calico
• Fabric Traditions Textured White Cotton Fabric by Keepsake Calico
• Gold Shimmer Quilt Foil Cotton Fabric by Keepsake Calico
• Screen Blender on White Quilt Cotton Fabric by Quilter's Showcase

Plus I used some Essex Yarn Dyed Metallic Crystal and Diamond Textiles Top Stitch in White that I had in my stash.

I learned a thing or two with this stole - the primary thing being the trim fabric that went around the neck of the stole really had to be cut on the bias. It took making a custom pattern for that bit, a little fiddly, but it worked great once I realized that. Hopefully it isn't obvious, but the trim was hand-appliqued onto the main fabric. I used Aurifil 40wt in white for a little extra strength.

At the center back, I added a 2" gold strip to coordinate with the detail on the front, and also to cover that back neck seam. Again, this stole measured 50" from center back to the bottom front. See my previous stole post to check out how I weighted the front slightly. Due to my method, the bottom front edges were also stitched closed by hand.

As a finishing touch, I stitched one of my A Quilter's Table labels on the lining, and hopefully it isn't noticeable when the stole is being worn. If so, we'll just remove it.

As it happened, we were able to attend worship at our son's church yesterday and since the stole fit the season, he was wearing it. That was fun to see, and it looked great on him, if I do say so myself.

Like, Totally :: April

Apparently I'm trying everything possible to avoid working on my Pantone quilt project. (Ugh) So when I had a few moments to sew this week, I got to work on this month's Seattle MQG BOM blocks.

Composed primarily of HSTs, a handful of flying geese left from last month were also incorporated. So it feels good to have those done!

Compass Bag II

Even though I loved the Ainsley Bag I made a few few weeks ago, I knew almost immediately that it was too small for my day to day use. As I was considering what to make to serve my purposes, I decided I really wanted to use that Meadow in Dusk from Dusk Fusion by Bonnie Christine again in some way. For my Ainsley Bag, I used it for the exterior fabric. Turns out, this time, it became the bag lining.

Looking through my bag patterns, I selected Noodlehead's Compass Bag, which I didn't remember at first that I'd made before. When I realized it, I was pretty sure it would be a good choice, so I forged ahead with plans to make the small version, which measures 9.5" wide x 11" high x 4" deep. Rummaging through my stash, I struggled a bit about what to use for an exterior fabric, and finally decided to try some leather I'd been given. I wasn't 100% sure how it would work out but figured it was worth a try.

Right off, I knew I'd use Aurifil Forty3. Luckily I had 1246 [Grey], which coordinated beautifully with the light gray leather, with 40wt in the bobbin and a 100/16 needle. I also used my Non-Stick Sewing Presser Foot, which sews on leather without marring the surface. Someone had told me about it, and I was dubious due to the low price, but it's been working great for me.

The pattern calls for interfacing most pattern pieces with Pellon SF101, but I omitted that on all the leather pieces. It also suggested a canvas layer behind all the exterior pieces, and for better or worse, I went ahead and added that. Later, I was thinking maybe that might not have been necessary, and just added to the thickness of the layers, and the weight of the bag.

Due to the use of the leather, there were several things I did differently than the pattern suggested:

• Omitted the rivets on View A side pockets
• Used just one layer of leather for the strap tabs and D-ring holders
• Omitted the top-stitching on the final exterior seam - there was just no way to scrunch the leather under the needle to make it happen
• Glued that final exterior seam and let it dry well with a clapper on top
• Before stitching the final top-stitching around the top of the bag, I hammered the thickest seams at the sides, front, and back from the inside (not directly on the leather)

As often is the case, I just grabbed the leather strap I'd been using on a previous bag to use on this new one, as the hardware matched. I'm thinking I'll consider the two bags as a 'set' - using the one I need to on any particular day. Meanwhile, the Compass is much roomier than the Ainsley, though not huge, and I'm already enjoying using it.

From One to Nine

Do you remember Recast? 

Well, when I was looking for a finished small quilt to repurpose as mini mini quilts, she seemed like a good candidate.

I cut her up into nine pieces, both 4" and 5" squares.

I got two bound fairly quickly, including a label on the back to identify myself.

When we were in the neighborhood of the Free Little Art Gallery, I was able to drop them off.

In a fun twist, my guild-mate Tracey @traceyquiltspnw saw my post, was nearby, and swung by with a friend to claim the pair of mini minis!

Slowly, I worked on binding the rest, and it dawned on me to try Yvonne's @quiltingjetgirl tutorial for Binding Mini Mini Quilts with single-fold binding. It worked really well! I rummaged through my solids scrap basket for binding options, thus the variety of colors.

Yesterday, I made a trip back down to the Free Little Art Gallery to drop the mini minis off.... all but one, as happily, a friend claimed one of them before I could get there. 

Here's hoping the tiny quilts find a new home soon!