Used up: 11.59 yards
Brought in: 3.50 yards
Net: -8.09 yards
All along, I'd planned on participating in the QuiltCon Windham Artisan Cotton 2024 Fabric Challenge, but let's just say I got a very late start. Jacquie Gering @jacquietps, the featured lecturer for QuiltCon 2024, chose the Windham Challenge palette this year, and I was plenty happy with it - enough that I had ordered all six fabrics back in June in varying amounts.
And I quote, "This time next week, I hope to be able to say the end of the piecing is in reach." That's what I wrote a week ago today, and I'm happy to report Mission Accomplished!
When my beemate Felicity @felicityquilts announced the Bee Sewcial prompt for this month, I had to smile. Coffee.... the first thing I reach for every morning. Felicity specified: "Rich browns in all shades, including very dark all the way to cream. Think roasted beans, a freshly pulled espresso shot, an iced coffee with swirls of cream, latte art." She also shared a small pin board for inspiration, and asked for at least two blocks that add up to the equivalent of our standard two blocks at 12" finished.
It's been months since all my Bee Sewcial Albersesque blocks arrived, and weeks even, since I've had a quilt top put together. But then I stalled out unfortunately. Bit by bit, here and there, I'd make another step forward, and finally.... finally I have a finished quilt.
The blocks created by my bee mates fit my vision perfectly - all inspired by the work of Josef Albers. In total, I had 24-9.5" square blocks to puzzle into a quilt top, and I chose to be inspired yet further by one of Josef Albers' own designs. All blocks were framed with Kona Bluegrass, then bordered on the top half by Kona Lapis, and the bottom half by Kona Canary. Sashing and borders such as these are not my norm, nor usually considered modern elements, but with these blocks, it only made sense to organize them in an Albers-inspired design.
Photo from Interaction of Color by Josef Albers,50th Anniversary Edition. |
Photo from Interaction of Color by Josef Albers,50th Anniversary Edition. |
Photo from Interaction of Color by Josef Albers,50th Anniversary Edition. |
It did require some hera-marked lines, but the 'X' design, which I set on an angle, felt worth it. I chose to just quilt the Xs and not the horizontal or vertical lines between them, which resulted in a less-dense result but I thought it served the overall quilt well.
quilt front |
quilt back |
I used several Aurifil 50wt threads in the finishing of the quilt - 2770 [Very Light Delft] for the quilting, 2840 [Loden Green] in the bobbin, and along with the Very Light Delft, 2115 [Lemon] for the matched binding. Albersesque finished at 55" x 78".
Blocks were made by Bee Sewcial members Karen/@capitolaquilter, M-R/@quiltmatters, Leanne/@shecanquilt, Stephanie/@spontaneousthreads, Felicity/@felicityquilts, Marci/@marci_girl, and Kari @quiltsforthemaking. I'm really pleased with how many designs and layers we, together, were able to be incorporated into our Albersesque.
So since last week's report, I was able to stitch up the first two panels of the triptych. We tried to get photos, but unfortunately the lighting played games with us. So the colors aren't entirely true, but at least there's proof they are sewn together.
And then yesterday, I took the two panels into church and met with the project initiator, so together, we could make a semi-final determination on the length of the panels - 60" x 64". Once the panels are quilted, we'll look again and see if they need to be just a couple inches shorter.
All that said, I did take a break from piecing the third panel to quilt my Bee Sewcial Albersesque quilt, but I'm back at piecing now, and am working on the largest section of the entire project, which needs to be 46" wide. Once it's done - which I expect to take several days - I'll just have three skinny strips left to piece. This time next week, I hope to be able to say the end of the piecing is in reach.
With a guild retreat day last weekend, I was able to spend the whole day making green improv blocks for a large section of panel two of the triptych.
So once I got home, I was happy to find I had enough blocks to complete that section. That left one skinny white strip, and I was ready to start trimming and sewing slabs together.
Because of how I'd hung strips on my design wall, I actually began constructing the middle of the three sections first. I was actually pretty happy with that, since it has the most colors and the most pieces of any of the three sections. And though I'd hoped to have a completed quilt top to share today, it's still in the works with a couple additional seams to go. But I should have it done and be moving on to the next/first section over the next few days. Progress, slow but sure.
Participants in Yvonne's @quiltingjetgirl 2023 Planning Party are encouraged to do periodic check-ins, and it's time to review the third quarter. So here's a review of my goals from back in December. Note my current status/notes are in bold italics.
The Quilts
I would have had another month with no fabric intake if I hadn't been at a retreat at a fabric store on the last day of September, and purchased a length of solid to finish the quilt back I'd started for my Albersesque quilt.
September Fabric Usage
Used up: 9.61 yards
Brought in: 3.00 yards
Net: -6.61 yards
So last Friday I was feeling some better after being down for most of the week. I wanted to sew for just a bit, but didn't feel up to the calendar project, so I settled in to try Carolyn Friedlander's new pattern for the Split Pouch.
I was limited by what synthetic zippers I had on hand, but of course I managed to find some Carolyn Friedlander fabric to coordinate with the zip I chose. I had a recipient in mind so that influenced my choice too! ;-)